{"id":46838,"date":"2026-08-31T15:30:13","date_gmt":"2026-08-31T13:30:13","guid":{"rendered":"https:\/\/europeanreviewofbooks.com\/?page_id=46838"},"modified":"2026-09-01T08:38:58","modified_gmt":"2026-09-01T06:38:58","slug":"issue-twelve","status":"publish","type":"page","link":"https:\/\/europeanreviewofbooks.com\/ru\/issues\/issue-twelve\/","title":{"rendered":"Issue Twelve"},"content":{"rendered":"\n
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Issue Twelve<\/strong><\/h1>\n\n\n\n

SEPTEMBER 2026<\/p>\n\n\n\n

A pale, dusty peach \u2013 warmer than pink, softer than orange, like the last stretch of summer light. Meet Issue Twelve, out in September 2026. In this issue: the self-flagellation that is writing a human text, a visit to an Irish subsea cable landing station, winter as a disappearing cultural construct, and fascism\u2019s libidinal thrill. Sex workers as markers of national character, and the translators of the Yugoslavia Tribunal as an invisible force. Polish foreign minister Radoslaw Sikorski saw it all coming, war photographer Lee Miller gets close to the edge. The ethics of paying attention, and the philosophy of designing books. Plus, a newly translated story by Ingeborg Bachmann (1926-1973) on a deadly family, and a quartet of essays touching on the question: how dead is international law?
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Issue Twelve SEPTEMBER 2026 A pale, dusty peach \u2013 warmer than pink, softer than orange, like the last stretch of summer light. Meet Issue Twelve, out in September 2026. In this issue: the self-flagellation that is writing a human text, a visit to an Irish subsea cable landing station, winter as a disappearing cultural construct, […]<\/p>\n","protected":false},"author":1274,"featured_media":46840,"parent":23,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-wide","meta":{"_acf_changed":false,"_ccgs_hide_in_listing":false,"_ccgs_reviewed_by":"","_ccgs_translated_by":"","inline_featured_image":false,"footnotes":""},"class_list":["post-46838","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"mb":[],"yoast_head":"\nIssue Twelve - The European Review of Books<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/europeanreviewofbooks.com\/issues\/issue-twelve\/\" \/>\n<meta property=\"og:locale\" content=\"ru_RU\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Issue Twelve - The European Review of Books\" \/>\n<meta property=\"og:description\" content=\"Issue Twelve SEPTEMBER 2026 A pale, dusty peach \u2013 warmer than pink, softer than orange, like the last stretch of summer light. 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It was a start, coincident with our crowdfunding campaign, where we could show what we wanted to publish and reflect on the endeavor itself. What should be in the European Review of Books? What could\u00a0only\u00a0be\u2026","rel":"","context":"\u041f\u043e\u0445\u043e\u0436\u0430\u044f \u0437\u0430\u043f\u0438\u0441\u044c","block_context":{"text":"\u041f\u043e\u0445\u043e\u0436\u0430\u044f \u0437\u0430\u043f\u0438\u0441\u044c","link":""},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/europeanreviewofbooks.com\/wp-content\/uploads\/2024\/04\/erb_issue0_cover1.webp?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":10513,"url":"https:\/\/europeanreviewofbooks.com\/ru\/issues\/issue-four\/","url_meta":{"origin":46838,"position":4},"title":"Issue Four","author":"admin","date":"24 \u043c\u0430\u044f 2024","format":false,"excerpt":"Issue Four NOVEMBER 2023 Issue Four is blue \u2013 sky blue. In its pages: Schwarzeneggerology, Xi Jinping\u2019s big beige books, peripheral Europe,\u00a0art\u00a0avant l'art, palindrome divas, medieval darlings, Jim Jarmusch baking a cake and S. Ansky sharing a secret from beyond the grave. Plus: some truly bad writing advice. 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Essays, reportage, interview, photography and experiment by writers from Europe and beyond. Wisdom for an anxious age and well-sharpened profanity for a vulgar one. New books, invented languages, resurrected darlings, and to every reader their own\u00a0Dichter und Denker. 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