Subscribers have full access to the expanding library of the European Review of Books.


Lose, delete, restore. What to remember when everything is always, forever, in a digital now?

« A black cat sneaks across a flower bed toward a shed, past some asters, and squeezes into a gap an arm's width wide. Some worn-down club-goers lay wasted on sofas, sweat and smoke in a late-summer landscape. » On Berlin clubs and Calvino's cat flâneurs.
« Eine schwarze Katze huscht über ein Blumenbeet in Richtung eines Holzverschlags, an einigen Astern vorbei drückt sie sich in eine armbreite Lücke. Einige Abgefeierte lümmeln auf Sofas; in Schweiß und Rauch in dieser spätsommerlichen Club-Landschaft. » Über Berliner Clubs und Calvinos Katzenflaneure.

On racial metonymy and the art of misidentification. (Meanwhile: has a glass of beer ever been more crisply and deliciously depicted? Has the froth of a European pilsner ever looked so delectable?)

Fragen, Antworten, Quintessenzen.

German vice-chancellor Robert Habeck has more than twenty books to his name: fiction, drama, literary criticism, and non-fiction. It is tempting to read his fiction for glimpses of Green political futures, and his literary criticism for similar clues. How experimental can a literary politician be?

A short story about vertigo from the author of Utopia Avenue, Cloud Atlas and Black Swan Green. « Possibly a dare, or a rite of passage, hung in the air. Remember their age: most late teenagers are immortal. »

Citizen’s day in Fiesole, December 2021. In the EU, Christian Europe stands in quantum superposition, both here and not here. Can Cretan Europa help us imagine better futures?

Søren Kierkegaard compared reading reviews of his books to « the long martyrdom of being trampled to death by geese. » What martyrdoms does today’s bookishness portend?

A logo might start as a designer’s whim. Only then does one look for meanings to fill it with. On Europas: mythic, artistic, fictional, political, psychological, satirical, and finally unfinished.

A friend of mine likes to say that the moon landing was real, but dumb. On astronautical tokenism.

Shoulders were slapped, fingers pointed, hearts fired up. Perhaps a little scuffle broke out after class, a boisterous wrestling over insults exchanged. Nothing to be concerned about. Acquiring knowledge was, after all, a combative affair.

Time? For? Socialism? What happened when Thomas Piketty descended from the elegant mathematical Olympus of economic theory into the muck of political and economic crises, public debates, social confrontations, and competing visions of progress?

How could it be that despite decades of rigorous European unification, of open borders and largely adjusted standards of living, a virus was able to kill up to 40 times more people in one country than in another, only a few hundred kilometers away?
Wie konnte es sein, dass trotz jahrzehntelanger rigoroser europäischer Einigung, offener Grenzen und weitgehend angeglichener Lebensstandards ein Virus in einem Land bis zu 40 Mal mehr Menschen töten konnte als in einem anderen, nur wenige hundert Kilometer entfernt?

A greeting from the editors. We hope you like what we’ve made.

A short story about fiction, from the author of Plunder.

Ramallah, downtown, fifth floor. The phone rings and the caller's number appears on the screen. It's an unknown number. And yet a call that comes at this hour must be answered.
رام الله، وسط البلد، الطابق الخامس. يرن الهاتف ويظهر رقم المتّصل على الشاشة. إنه ليس لأحد معارفنا، فالرقم غير معروف. مع ذلك، يتطلّبُ اتصال هاتفي في ساعة مبكِّرةٍ كهذه الردَّ عليه.

As an academic field, « Genocide Studies » is a house with many rooms. It accommodates and even encourages a broadening of its central concept. And like all academic fields, it presumes its object of study will always be there.

Google's rise to dominance can seem inevitable, and its power over publishers monolithic. Yet Google’s wanton disruption of publishing resembles evolution more than intelligent design. Journalists, publishers, regulators, and scholars are left grappling with our new, random god.
Googles Dominanz erscheint heute unausweichlich. Googles mutwillige Störung des Verlagswesens ähnelt eher der Evolution als intelligentem Design. Journalisten, Verleger, Regulierungsbehörden und Wissenschaftler müssen mit ihrer neuen, chaotischen Gottheit zu Recht kommen.

« What happened was that we were driving on the highway from Izola towards Koper when we saw a drummer on the side of the road. So I immediately drove to the side of the road and reversed my car and asked if I could take some pictures. »

La capital de Europa es, en ese sentido, un espejo cóncavo que devuelve un reflejo concentrado (y algo deforme) de la imagen que proyecta el continente.
Brussels is a concave mirror that returns a concentrated (and somewhat distorted) reflection of the projection of its continent.

A poem, plus a note on tongue-like mice and the translation of mice-like tongues.
A poem, plus a note on tongue-like mice and the translation of mice-like tongues

When they were first released, Maggie Nelson’s On Freedom and Lea Ypi’s Free spoke past one another from half a world away. But both ask whether the many freedoms we enjoy mean anything if they are not practiced in public, and if they are not passed on—and whether the word « freedom » means anything at all.

Relics, and the places devoted to their worship, dotted the map of Europe and the Middle East. Saints, like today’s celebrities, were both omnipresent and faraway, once-vulnerable people who became something more than human.

« What if all fictional characters from novels continue to dwell somewhere, just like the dead? » Daniela Hodrová’s City of Torment (Trýznivé město) is a magical-realist trilogy set in Prague. Her fragmented narratives, sewn together, make something deeply European.

Україна не стала епіцентром світової історії раптово. Україна стала епіцентром світової історії знову.

On unrecognized states, micronations and curious border zones.

In 2010, OMA was invited to take part in a competition for the Damascus National Museum. It was part of a concerted effort to establish connections with Bashar al-Assad, toward a political « rapprochement ». Three months later, the entire effort was cancelled. Civil war was about to break out.

Stop! I am doing what they all do: presenting writer Sulaiman Addonia as one-who-has-suffered, because he grew up as a refugee. The problem is, in part, a problem of genre. Suffering has become an interviewer’s crutch.

A letter to George Orwell. « All narrative is hypnotic. Some narratives are more hypnotic than others. Because of you, we can be conscious of the kinds and the workings of the narratives that set out to deaden us, lessen us, make us lie, make us part of the lie. »

Пространство—это ключевое слово в понимании литературной и философической истории России. Оксана Васякина переделывает русское пространство—и русский роман—для женских миров.
« Space », or prostranstvo, is a key word for understanding the literary and philosophical history of Russia. Oksana Vasyakina's Rana (Wound), a Siberian road novel remakes the Russian landscape—and the Russian novel—for women's worlds. It renders prostranstvo unruly, polysemous, queer.


An excerpt from Ijoma Mangold’s memoir, Das Deutsche Krokodil (The German Crocodile), available in English translation from the DAS Editions imprint of Digitalback Books
An excerpt from Ijoma Mangold’s memoir, Das Deutsche Krokodil (The German Crocodile), available in English translation from the DAS Editions imprint of Digitalback Books

On orthodoxies & heresies of typography. To serif, or sans-serif?

What does modern mean? Technically, etymologically, it means something happening now. But in Brazil, it often meant an embrace of newness as the possibility of reinvention. In Modernity in Black and White: Art and Image, Race and Identity in Brazil, 1890-1945, Rafael Cardoso unravels the myth of 1922.

« Europe », drawn from memory or intuition. Thick and thin strokes of charcoal: a nod to the coal and steel on which the polity of modern Europe is founded. But more mystical, too. These drawings represent, says the ERB’s print designer Patrick Doan, « the conviction that simple tools can grant us the power to face the god of paper. »

How do literary movements arise? About thirty years ago, I watched one emerge out of nothing: the subgenre of “literary” football books and magazines. Not exactly the birth of modernism, but it still taught me something about how cultural transmission works within Europe.

Was a Dutch town founded by Inuits in the 9th century? On American discoveries of Europe.

An excerpt from I padri lontani / Distant Fathers (1987), the rediscovered memoir of Marina Jarre, available in English translation from New Vessel Press.

New short fiction from the author of Autumn, Winter, Spring, and Summer. A story about what’s ours and what’s not ours.

One reason we believe so much in the ERB is that it doesn’t stand in competition with magazines we love; it joins them, and does so in admiration. This project has, in fact, made us encounter literary magazines we hadn’t read before, look anew at magazines we’d put aside, discover beautiful magazines in languages we wish we could read. We’re starting the ERB because of the new solidarities such a magazine can create.

The dominant crowdfunding platform is called Kickstarter; kickstarting was something you did to an engine. To “kickstart” the European Review of Books makes it feel like we’re riding a motorcycle in World War I. But we only want peace!

Who, what, and why? Imagine something called, say, the Zemblan Review of Books, or the Esperanto Review of Political Theory, or the Klingon Review of Horticulture, or the Utopian Review of Bicycles.

There sits a donkey before an open book, held between his forehooves in such a way that we can clearly see the pages. It is a family tree of sorts, with eight rows of seventeen standing donkeys.

« If I were to do it again from scratch, » Jean Monnet, a founder of the European Union, supposedly said in the ’70s, « I would start with culture. » Well, who wouldn’t?