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  • No longer at home

    A review of Hangman: A Novel by Maya Binyam. «Returning home rests as the thematic cornerstone of African and African-diasporic literature.»

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  • Something rotten

    On the sanatoriums of Olga Tokarczuk’s The Empusium and Thomas Mann’s The Magic Mountain.

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  • The business of men

    On pregnancy’s bloody histories & its visceral fictions. A review of Trudy Dehue’s brilliant history of pregnancy research, « Egg, Fetus, Baby ».

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  • Neanderthal aesthetics

    Rachel Kushner’s Creation Lake, reviewed. «If we discovered a Neanderthal novel, would we be worthy of it?»

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  • Needle & pen

    Jane Austen valued fashion as an intrinsic part of one’s character — whether in her own life or in a novel.

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  • Down the mine shaft

    A new book challenges the myth of photography’s immateriality.

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  • Without Cause

    « The exercise here is of a philosopher who would review the AI Act as a text. »

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  • The coldest, cleanest water in Europe

    Solitary sailing, and the philosophy thereof: What sort of writing is possible when the mind is at sea and so entirely occupied and swaddled?

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  • Last resort

    On Dora Kellner, Walter Benjamin and the biography of a hotel

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  • Ice queens, sex machines

    Insofar as erotica can ever be about something, what is Russia-themed erotica about?

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  • Cannibalinguistics

    Language-learning and people-eating in Ayesha Manazir Siddiqi’s The Centre.

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  • What an animal isn’t

    Two vastly different books — one a picaresque tale, the other a dystopian meditation — both recount a transition from human to animal or from animal to human.

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  • Jesus in the pines

    Refugees and border guards in the Białowieża Forest. Scenes of violence play out behind a thick cover of trees, in a remote corner of Poland.

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  • The big beige books

    The most important unreviewed books of our times, reviewed. On Xi Jinping’s The Governance of China, Volumes I to IV

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  • Europe disenchanted

    A broad cast of characters who almost all speak to a solitary woe. This is Europe?

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  • Art before art

    On Paleolithic painters & speculative criticism.

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  • Forget your darlings

    On memory palaces, medieval and modern. A medieval woman’s life would not have taken the form of a straight line.

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  • On location

    Mission: Impossible and Eurocentric stunts, from Hollywood to Hong Kong. What does an action movie want to be?

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  • How to people a landscape

    On Cyril Schäublin’s Unrueh (2022), cinema & scale. « No other film has so resized me. »

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  • The cemetery-goer

    On the travels of Karl-Markus Gauß, and the unlikely guardians of the dream of Europe.

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  • Doom is in the details

    Floods, hailstorms, plague, fire, children lost on a mountain or trapped for years in a ruined villa. On the stories of Adalbert Stifter.

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  • The pulverization of memory

    Write your memoir in a hostile tongue. On Marina Jarre, from Latvia to Italy and back.

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  • Tragedy & farce in climate commentary

    « We are fucked » vs. « It’s not too late ». The Club of Rome’s Earth for All offers a burst of stubborn optimism. But when does stubborn optimism become cruel optimism?

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  • The invention of austerity

    Dramatic economic inflations have punctuated twentieth-century political history. Is austerity a class strategy?

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  • No man’s land

    On Edda Mussolini & fashionable fascism. Can a woman be dangerous yet powerless?

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  • When the world makes rags of us

    He spoke of painting like a starving man speaks of food. On Józef Czapski, Memories of Starobielsk and the art of observation.

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  • Flags & bones

    On Curzio Malaparte’s Europe — and ours. The midcentury novelist read anew, on war’s aftermath and transatlantic romance. What was, or is, « postwar Europe », anyway?

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  • Of human children & language children

    The first word I ever wrote was stsikukha: « pisser ». This is how my nanny Frosya called me to my face. On poetry and pathos in a bastard tongue.

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  • Skinned alive

    Imagine your therapist assigned you to write your autobiography, after which you decided you were cured, so your therapist published it as revenge. Zeno’s Conscience turns 99.

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  • A sangre fría

    Fernanda Melchor’s prose hits you square in the face, but its lyricism works differently in Spanish. On Veracruzano modernism, lyrical slang, and worlds so new that style falls apart.

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  • Glossomania-mania

    On language invention. To desire some other perfect language is at once to acknowledge and to overlook the miraculousness of what we have.

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  • A recipe for word vomit

    On pregnant silences, and how to abort them — via Jane Austen’s Lady Susan, Whit Stillman’s Love & Friendship and our own manners & morals.

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  • Of Anders & Kreuzwendedich

    On two tales of racial metamorphosis, salted or sugared, one hundred years apart.

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  • Into the muck

    Time? For? Socialism? What happened when Thomas Piketty descended from the elegant mathematical Olympus of economic theory into the muck of political and economic crises, public debates, social confrontations, and competing visions of progress?

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  • To see a city

    « What if all fictional characters from novels continue to dwell somewhere, just like the dead? » Sewn together, the fragmented narratives of Daniela Hodrová’s City of Torment (Trýznivé město) make something deeply European.

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  • The prodigal half-rooster

    Maggie Nelson’s On Freedom and Lea Ypi’s Free spoke past one another from half a world away. But both ask whether freedoms mean anything if they are not practiced in public, and if they are not passed on — and whether the word « freedom » means anything at all.

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  • Ukraine yesterday & tomorrow

    Ukraine didn’t become an epicenter of world history all of a sudden; it became an epicenter again.

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  • Woman is space

    « Space », or prostranstvo, is a key word for understanding the literary and philosophical history of Russia. Oksana Vasyakina’s Rana (Wound), a Siberian road novel, remakes the Russian landscape and the Russian novel for women’s worlds. It renders prostranstvo unruly, polysemous, queer.

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  • The myth of 1922

    What does modern mean? In Brazil, it often meant an embrace of newness as the possibility of reinvention. In Modernity in Black and White: Art and Image, Race and Identity in Brazil, 1890-1945, Rafael Cardoso unravels the myth of 1922.

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