Love
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The art of losingThis article is available for Members only. Check out our subscription plans to become a member.
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On artificial intelligence, murderous elephants & Elizabeth Bishop
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No money off a dead woman’s body (& other poems)This article is available for Members only. Check out our subscription plans to become a member.
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« I like my tyrants like I like my heroes. That is, crushed by a giant chandelier. »
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When the world makes rags of usThis article is available for Members only. Check out our subscription plans to become a member.
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He spoke of painting like a starving man speaks of food. On Józef Czapski, Memories of Starobielsk and the art of observation.
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A sangre fríaThis article is available for Members only. Check out our subscription plans to become a member.
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Fernanda Melchor’s prose hits you square in the face, but its lyricism works differently in Spanish. On Veracruzano modernism, lyrical slang, and worlds so new that style falls apart.
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Of Anders & KreuzwendedichThis article is available for Members only. Check out our subscription plans to become a member.
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On two tales of racial metamorphosis, salted or sugared, one hundred years apart.
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How Americans edit sex out of my writingThis article is available for Members only. Check out our subscription plans to become a member.
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What is editing? Two people who both lead a literary life — an augmented reality where the connections between existence and sentences are investigated daily — wage sensual war for the soul of the page.
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Bee Gees FAQThis article is available for Members only. Check out our subscription plans to become a member.
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Fragen, Antworten, Quintessenzen.
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A breast is a breast is a breastThis article is available for Members only. Check out our subscription plans to become a member.
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To contemplate Pompeii is to contemplate archeology in its most extreme form, framed by the wish not only for discovery, but for resurrection.
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€ 0This article is available for Members only. Check out our subscription plans to become a member.
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No one would have understood both the sentiment and the absurdity more keenly than Marx himself, whose face has adorned real currencies in more countries than anyone else’s, with the possible exception of Elizabeth II.

