Category: Issue Twelve
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Tits out for the motherland!This article is available for Members only. Check out our subscription plans to become a member.
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Are French sex workers wittier? The prostitute as a marker of national sexual character.
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Books | The built and unbuilt worldThis article is available for Members only. Check out our subscription plans to become a member.
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Ines Weizman and Eyal Weizman are a couple. Each has just published a book that uses architecture to explore history, geopolitics, war.
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Who’s your neighbor now?This article is available for Members only. Check out our subscription plans to become a member.
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A Peruvian farmer sued German energy company RWE claiming damages for flood risk to his home in the Andes.
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A good interpreter is an invisible interpreterThis article is available for Members only. Check out our subscription plans to become a member.
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In the interpreting booths of the Yugoslavia Tribunal, neutrality was the job.
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Exiled in TorontoThis article is available for Members only. Check out our subscription plans to become a member.
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Yugoslav writer Daša Drndić refused to be a « good refugee ».
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Ink, paper, décentrementThis article is available for Members only. Check out our subscription plans to become a member.
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The ERB’s designer on the passion and philosophy of making books.
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V’s posthumous victoryThis article is available for Members only. Check out our subscription plans to become a member.
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How the wrongful death of an orphan in Romania paved the way for a monumental climate change decision.
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Listening practice
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When everyone can make themselves heard, who still cares to listen? Miriam Rasch offers a philosophical and personal exploration of listening as an ethics.
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A casa é suaThis article is available for Members only. Check out our subscription plans to become a member.
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Belgian writer and TV journalist Annelies Beck writes to Turkish writer and thinker Ece Temelkuran – and to you.
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Crafting a human text is like wrestling a wild animal
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On Cécile Wajsbrot’s « Nevermore », Eva Meijer’s « Een woord voor », and the constant self-flagellation that comes with putting words to paper.


