Display Positions: Important
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The geography of safetyThis article is available for Members only. Check out our subscription plans to become a member.
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Yugoslavia was Europe’s last open door for Jewish refugees fleeing Hitler. It was nobody’s dream.
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Books | The built and unbuilt worldThis article is available for Members only. Check out our subscription plans to become a member.
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Ines Weizman and Eyal Weizman are a couple. Each has just published a book that uses architecture to explore history, geopolitics, war.
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Down to the wireThis article is available for Members only. Check out our subscription plans to become a member.
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A visit to an Irish subsea cable landing station. Its engineers need to know all about scallop fishers and Russian saboteurs.
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A casa é suaThis article is available for Members only. Check out our subscription plans to become a member.
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Belgian writer and TV journalist Annelies Beck writes to Turkish writer and thinker Ece Temelkuran – and to you.
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OnlyFascismThis article is available for Members only. Check out our subscription plans to become a member.
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The libidinal thrill in fascism: on the German far-right’s sexy phantoms.
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Lawyers of the world, unite?This article is available for Members only. Check out our subscription plans to become a member.
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Law, it turns out, is capitalism’s operating system.
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Neve in AgostoThis article is available for Members only. Check out our subscription plans to become a member.
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Snow in August: Winter as a disappearing cultural construct.
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The third-generation gapThis article is available for Members only. Check out our subscription plans to become a member.
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Is international law dead, and if so, who killed it? Thomas Mann’s « Buddenbrooks » offers some insight.
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Tits out for the motherland!This article is available for Members only. Check out our subscription plans to become a member.
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Are French sex workers wittier? The prostitute as a marker of national sexual character.
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Who’s your neighbor now?
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A Peruvian farmer sued German energy company RWE claiming damages for flood risk to his home in the Andes.
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Crafting a human text is like wrestling a wild animal
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On Cécile Wajsbrot’s « Nevermore », Eva Meijer’s « Een woord voor », and the constant self-flagellation that comes with putting words to paper.

