
Issue Six
SEPTEMBER 2024
Fiction by Adania Shibli, Théo Casciani and Agnes Lidbeck. A philosophical review of the EU’s AI Act. An exploration of the past, present and future of photography, a pilgrimage to Persepolis & a lament for German carpets. A new appreciation of Jane Austen’s handiwork & a new understanding of a fairytale witch’s intentions.
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InterjectionsThis article is available for Members only. Check out our subscription plans to become a member.
Non-words for the remembered & unremembered violence of Bulgarian labor camps.
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The Barren Nothing-PlaceThis article is available for Members only. Check out our subscription plans to become a member.
On growing up in the creases of bilingual versions of T.S. Eliot’s The Waste Land
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Blue memoirThis article is available for Members only. Check out our subscription plans to become a member.
A water superpower runs dry. A photo series from Hungary.
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Letters from PersepolisThis article is available for Members only. Check out our subscription plans to become a member.
On the ruined city’s pilgrims & decoders
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Needle & penThis article is available for Members only. Check out our subscription plans to become a member.
Jane Austen valued fashion as an intrinsic part of one’s character — whether in her own life or in a novel.
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Forage, farm, huntThis article is available for Members only. Check out our subscription plans to become a member.
A photographer asks: why bother making photographs?
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Down the mine shaftThis article is available for Members only. Check out our subscription plans to become a member.
A new book challenges the myth of photography’s immateriality.
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Without causeThis article is available for Members only. Check out our subscription plans to become a member.
« The exercise here is of a philosopher who would review the AI Act as a text. »
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The Mothers GrimmThis article is available for Members only. Check out our subscription plans to become a member.
What ties Gretel to her witch? Louise Glück’s poem Gretel in Darkness provides answers.
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Independence and/or DeathThis article is available for Members only. Check out our subscription plans to become a member.
Brazilian artist Jaime Lauriano recreated the iconic painting Independence or Death (1822). A scorched earth remains in his own Independence and Death (2022).