Environment
Independence and/or Death
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Brazilian artist Jaime Lauriano recreated the iconic painting Independence or Death (1822). A scorched earth remains in his own Independence and Death (2022).
Visit the extractocene!
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The Eisenthür silver mine is real; the village below is entirely fictive.
Doom is in the details
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Floods, hailstorms, plague, fire, children lost on a mountain or trapped for years in a ruined villa. On the stories of Adalbert Stifter.
An axe to grind should make you sharper
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Forensic Architecture charts state-organized crimes, genocide and other disasters in three dimensions. « Flat maps can’t convey the politics of water and shit. »
Tragedy & farce in climate commentary
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« We are fucked » vs. « It’s not too late ». The Club of Rome’s Earth for All offers a burst of stubborn optimism. But when does stubborn optimism become cruel optimism?
An archeology of the air
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On Havelok the Dane, medieval air & the world’s largest wind farm
The Ogre, the Monk and the Maiden
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A story about quarks and antiquarks, beauty quarks and strangelets, gluons, muons, prions, hadrons and charms.
Back to the office
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From the office of the future to the office of the past. What endures?
Borderland
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The great storm surge is coming, it has always been coming in the borderland between Denmark and Germany. Here, Danish writer Dorthe Nors visits the Frisian Wadden Sea island of Sylt, as part of her travels along the North Sea coast.
The prodigal half-rooster
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Maggie Nelson’s On Freedom and Lea Ypi’s Free spoke past one another from half a world away. But both ask whether freedoms mean anything if they are not practiced in public, and if they are not passed on — and whether the word « freedom » means anything at all.