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On Cyril Schäublin’s Unrueh (2022), cinema & scale. « No other film has so resized me. »
On the untranslatability of Ukrainian jokes
On pregnant silences, and how to abort them — via Jane Austen’s Lady Susan, Whit Stillman’s Love & Friendship and our own manners & morals.
The documentary When spring came to Bucha reaches beyond common representations of war and one-dimensional victimhood.
On racial metonymy and the art of misidentification. (Meanwhile: has a glass of beer ever been more crisply and deliciously depicted? Has the froth of a European pilsner ever looked so delectable?)
Relics, and the places devoted to their worship, dotted the map of Europe and the Middle East. Saints, like today’s celebrities, were both omnipresent and faraway, once-vulnerable people who became something more than human.