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→ Setting of the Sun at West Mountain / Puffing & panting ←
→ Worm-eaten Rimbaud / Always knowing whom ←
→ 日落西山 / 國是前胸 ← → 蟲蠹的蘭波 / 始終知誰 ←
On the unexpected joys of Denglisch, Berlinglish & global Englisch. « My own language, made camp. »
On artificial intelligence, murderous elephants & Elizabeth Bishop
The first word I ever wrote was stsikukha: « pisser ». This is how my nanny Frosya called me to my face. On poetry and pathos in a bastard tongue.
→ → Pursuing / you lead me to come to the future.
← ← coming to the future, I lead you / demanding.
→ → 求索 / 你引导我来未来
← ← 来未来我导引你 / 索求
He spoke of painting like a starving man speaks of food. On Józef Czapski, Memories of Starobielsk and the art of observation.
« I like my tyrants like I like my heroes. That is, crushed by a giant chandelier. »
A logo might start as a designer’s whim. Only then does one look for meanings to fill it with. On Europas: mythic, artistic, fictional, political, psychological, satirical, and finally unfinished.
Пространство—это ключевое слово в понимании литературной и философической истории России. Оксана Васякина переделывает русское пространство—и русский роман—для женских миров.
« Space », or prostranstvo, is a key word for understanding the literary and philosophical history of Russia. Oksana Vasyakina’s Rana (Wound), a Siberian road novel, remakes the Russian landscape and the Russian novel for women’s worlds. It renders prostranstvo unruly, polysemous, queer.