Subscribers have full access to the expanding library of the European Review of Books.
Citizen’s day in Fiesole, December 2021. In the EU, Christian Europe stands in quantum superposition, both here and not here. Can Cretan Europa help us imagine better futures?
A logo might start as a designer’s whim. Only then does one look for meanings to fill it with. On Europas: mythic, artistic, fictional, political, psychological, satirical, and finally unfinished.
La capital de Europa es, en ese sentido, un espejo cóncavo que devuelve un reflejo concentrado (y algo deforme) de la imagen que proyecta el continente.
Brussels is a concave mirror that returns a concentrated (and somewhat distorted) reflection of the projection of its continent.
« What if all fictional characters from novels continue to dwell somewhere, just like the dead? » Daniela Hodrová’s City of Torment (Trýznivé město) is a magical-realist trilogy set in Prague. Her fragmented narratives, sewn together, make something deeply European.
« Europe », drawn from memory or intuition. Thick and thin strokes of charcoal: a nod to the coal and steel on which the polity of modern Europe is founded. But more mystical, too. These drawings represent, says the ERB’s print designer Patrick Doan, « the conviction that simple tools can grant us the power to face the god of paper. »
How do literary movements arise? About thirty years ago, I watched one emerge out of nothing: the subgenre of “literary” football books and magazines. Not exactly the birth of modernism, but it still taught me something about how cultural transmission works within Europe.
Was a Dutch town founded by Inuits in the 9th century? On American discoveries of Europe.
« If I were to do it again from scratch, » Jean Monnet, a founder of the European Union, supposedly said in the ’70s, « I would start with culture. » Well, who wouldn’t?